ネオンPENCILS[||||||||||||||||||||||||||||]

Amazing nontheless.

Just noticed a gigantic glaring error in this piece and the first person to spot it before I swap the image out with a fixed one later tonight will dictate which character I draw from memory for tomorrow.

Neil is ineligible.

One side of his jacket is the same as the light grey splotches?

The drink is also red instead of cola brown?

THE ORANGE ISN'T ALL THE WAY FILLED IN ON THE EDGE OF HIS BEAK?

that's all i got. ur perfect, ty

:edit: i don't know how beaks work

GLORIOUS

Also, for a brief second, I thought that his right hand had been replaced by a drinking cup and --honestly-- a tiny part of me is disappointed that is not the case.

It's off-camera, we can imagine it is so.

I don't think I'm grasping this like Lyndsay is. By the second one I was definitely spending too much time fussing. Might set up a timer so I don't take more than a few minutes on each.

I think these are quite awesome sir. love seeing environments from you

Well, I definitely know what to do if I need ship graveyards.

I think they look fantastic. I especially like the shipwreck near the bottom and that last character design is spectacular!

Oh my, she's rad. I love the energy in the sketch of her firing her gun. It's so neat to see you pushing expression with no eyes. Her sassy body language adds so much to it as well.

Setting up a timer to work on the leveled scenes is a good idea. I'd love to see more of those.

Ty: whats your secret with drawing in perspective? I suck hard at top down/bottom up/exaggerated angles.

Jenn: Yeah, I think I'm finally heading in a direction I like with this character. She is also the requisite giant backpack loaded with crap character, but I'll get to that. Expressions with no eyes is going to be fun. Maybe I'll try to whip up an expression sheet.

Bai: Your guess is as good as mine, I only recently started even attempting full character perspective. What is definitely the most crucial element is understanding the volume of a shape; if you can't visualize a third dimension, you can't apply it. But basically I'm just giving it a shot and learning as I go.

BONUS: trying out floppier, more organic hair shapes established in the last headshot. Definitely an improvement.

Nooo, such a sad face! Awh!
Her hair does look great. The softer shapes are really working.

And oh, yes please for the expression sheet!

keep doing the thing with the hair! it is working so so well for you.

oh muh guh

R I pee

Love the movement in his cape! Too good. Just stap.

I should really get to work on something substantial.

I adore her too much. You make her hair make more and more sense with every piece. Both sides of her bangs look great in the side view.

These last two character design pieces are fabulous and so different from your norm (which is also fantastic just to be clear). You're really showing your versatility with these! Awesome

Meditation on the danger of foreshortening.